Nationalism is one of the major currents in US society that is wearing away the roots of their democratic nation.  The capitalist 1%’ers are using their political and media distractors in a desperate ploy to place the blame for working classes on immigrants and people who are not white.

Blaming the ‘other’ for your country’s problems is chapter one material in the corporatist manual.  It so much easier to blame people with non-white skin for taking away our jobs than admit that the system we have in place systematically eliminates well paying jobs (via outsourcing or technological advancement) in pursuit of profit and efficiency.

We can see the roots of this game plan in what Trump and Bannon are on record as saying:

     “President Donald Trump’s special adviser Steve Bannon has long disparaged South Asian high-tech workers such as Kuchibhotla and Madasani. In 2015, Bannon interviewed candidate Trump on the Breitbart News Daily radio show. Bannon suggested that there were far too many Asians in the high-tech industry in the U.S. and that perhaps there should be barriers placed on their entry. The H-1B visa, which allows high-tech workers to enter the U.S., is a particular grouse of Bannon’s. Trump expressed doubts about Bannon’s extreme views: “We have to be careful of that, Steve,” Trump said. “You know,” he continued, “we have to keep our talented people in this country.” Bannon would have none of it. “When two-thirds or three-quarters of the CEOs in Silicon Valley are from South Asia or from Asia, I think…,” he said, then hesitated. “A country is more than an economy,” Bannon said. “We’re a civic society.”

     By “civic society”, Bannon meant that the first priority of the U.S. should be to its own “native” citizens. In other words, white Americans need to be the first in the queue for the benefits of the country. In March 2016, Trump absorbed Bannon’s position. “The H-1B programme,” Trump said, “is neither high-skilled nor immigration: these are temporary foreign workers, imported from abroad, for the explicit purpose of substituting for American workers at lower pay. I will end forever the use of the H-1B as a cheap labour programme and institute an absolute requirement to hire American workers first.” When the term “American workers” is used, people like Purinton and Page hear “white workers”. It is what they signal when they yell: “Go back to your country.”

     In another radio show, in April 2016, Bannon said that the migrants to the U.S. “are not Jeffersonian democrats”. “These are not people with thousands of years of democracy in their DNA coming here,” he said. The idea of democracy in the DNA could only imply that certain “races” have democracy under their skin and that Asians are not in that company.”

Pretty chilling considering these mooks now have their clumsy hands on the levers of power in the US.  We can see the nationalism – even white pride – glowering in the statements of Bannon and Trump.  This present white nationalism flies in the face of the American demographic situation, one in which the US is become less white every year, and will only serve to increase the internal tension and strain on the democratic civic integrity of the US.

 

[Source: Vijay Prashad writing for Counterpunch]

 

Another common charge against Gender Critical Feminists or really, Radical Feminists in general is that they are just a small outspoken subset of Feminism, soon to be forgotten with the passage time..bla bla bla. Apparently, as demonstrated by publication in the US newspaper of record, gender critical thought isn’t going away soon, and if anything is gaining more popularity and momentum as time passes.

Lisa Selin Davis, in her opinion piece ‘My Daughter is Not Transgeneder. She is a Tomboy.’, writes the following (pardon, the formatting, these are screencaps):

 

Wow. :)  Identification of gender as the problem, correctly assessing the role of socialization, and realizing the power of gender stereotyping – all in the same article?!  I highly recommend going to read the full article on the NYT.

Head over to my blog-pal Syrbal-labrys place for a generous heaping of common sense and fiery political commentary.

herlander-walking

Another man who decided if his property (i.e. wife) was not performing to his desires, it deserved death by gunshot. So he walked into the grade school where she worked and shot her to death.  Alas, two students behind her, likely sheltering there, “protected” by their teacher were hit as well.  One died.

And now?  Advice on “helping children cope.”  I find much of what that advice says to be pure bullshit.  Parents are told to “reassure your children that their schools are safe.”  Hey, this is not lying about Easter bunnies or Santa Claus, folks.  The schools are clearly NOT SAFE.

Any day, anywhere in America, a man with a gun can walk into a school and kill people.  That has been shown time and time again.  And if after the Sandy Hook massacre, nothing was done to stop this possibility, clearly schools and school children are…

View original post 421 more words

What ‘Big Religion’ is hiding from you.

Yeppers, many radical feminists have been right here, right at this point.  Girlsmoonsandstarts and a rad-fem chorus goes above and beyond with their response, it is made of pure gold.

 

 

Very little of Purcell‘s functional music for four-part viol consort survives. Only the incomplete Suite in G major, Z. 770, and the Chacony in G minor, Z. 730, are known. It seems most of Purcell‘s music he wrote as court composer for the Twenty-Four Violins after 1677 involved the voice. It is not known for what exact occasion Purcell composed the Chacony.

“Chacony” is a variant of the English “chacone” and is the same as the French chaconne and Italian ciaccona. It was a relatively new type of composition in England; the earliest known English example is the three-part Chacone by Robert Smith, published in 1677.

Purcell‘s Chacony is restrained and stately, much more suited to dancing than a similar piece by John Blow from the same time, which has intricate contrapuntal sections and shifting accents. Purcell builds his melodies from groups of dotted notes (an aspect of the French chaconne) and the piece is nearly devoid of contrapuntal artifice, making it easy to perceive the rhythms and turns of the melody and ground bass. Apparently, it was intended to be performed without continuo.

Throughout the Chacony we find Purcell stretching the boundaries of traditional dance music while creating an overall structure that is appropriate for dancing. The eight-measure ground is suitable in length for dancing and begins with the typical passacaglia device of descending through a fourth. What is unusual is that in the second measure there is an F sharp and in the fifth, a B natural, both chromatic alterations in the key of G minor. These moments are harmonized with great freedom and imagination each time they occur. Fleeting modulations appear in variations Nos. 6 and 14, in which the ground migrates to the viola and second violin, respectively, while the four-voice texture continues. In variations Nos. 8 and 11, however, the bass drops out and the ground moves upward respectively into the first violin and viola, creating a welcome change in texture. In the Chacony, Purcell employs each of his variation techniques twice, making pairs of variations that create a satisfying, large-scale structure. What is “asymmetrical” about this symmetry, however, is that the corresponding variations are not consecutive, but spread across the piece.

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