Andantino in D major, in common time evolving into Presto non assai, ma con sentimento in B minor in 2:4 time

The shortest of all four, the movement begins sweetly being one of the composition’s few uplifting passages. In measure twenty-three, the clarinet and violin play as if they were talking in a conversation. It modulates back from its heart-warming D major into the darker B minor. This section is highly influenced by the first part and even ends the same except being in a 2/4 meter